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Game Review: Band Frontman Jason Williamson Assumes Character in Sceptical Look at Ecstasy Generation Era

The work of Portishead co-founder the musician-producer, this scabrous though slight debut feature casts a critical gaze on the ecstasy-fueled club scene. Self-serving pillhead David (the actor) initially steals from an passed-out supplier, then in a later recollection tries to burgle his own parents. Before you can say, he's overturned in the wreckage of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with impatience toward townies, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Darkly Funny Duel

The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to free himself from his seatbelt, while clumsily segueing into flashbacks of his normal activities. The bigger point – that the rave-era youth were mainly focused on number one – is firmly made. But these brief episodes are too thin to properly prime us for what to expect when the Poacher arrives, enraged after David strangles his dog. Still, a grimly amusing standoff unfolds – David desperate to escape; the Poacher withholding his jerrycan of scrumpy, determined to soaking him instead in resentful talk. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.

Visual Flair and Music Video Sensibility

There is only one key story turn, but it leads to a comically executed chaotic run on the forest trails that dips close to folk horror. Director John Minton finally gets to go all in with his showy imagery: where he was focused intently doing impressionistic closeups of insects in the light in the opening part, he now goes all out with the full psychedelic grand display, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

The film releases in UK and Irish theaters from 17 November.

About the author

Jeffrey Blackburn

A tech enthusiast and digital strategist with over a decade of experience in software development and emerging technologies.

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